Despite
not getting a thank-you in the sleevenote credits, Batttttty
celebrates the release of
GMT's EVIL TWIN
by going out for a meal of Irish stew, soda bread and... errr...
the hummus of Mr McCoy, with
Bernie Tormé
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Bernie
Tormé is a wild Irish vagabond who makes the kinda music
your mother warned you about - songs that spin you round'n'round
on the Waltzers and then jump in beside you and make you spin
the other way.
So
I was careful to play the new Evil Twin album
at least 24 hours before we went for our meal
Then,
after we'd discussed the appalling policy that so many pubs
have
of 'painting' a shamrock into the head of your Guinness (uuggghhhh)
we got on to the more relevant subject of the new GMT album
and its place in modern society
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On
the many occasions when you and I have met up, onlookers are
always commenting on how we continually seem to out-bonkers
each other. For me it's a natural thing (gratuitous UFOism,
sorry, it won't happen again) to be bonkers. But what's YOUR
excuse? Look I'm perfectly normal! PERFICKLY NORRRMMMAL!!!
But I'm surrounded by rather strange people who keep telling
me how mad I am. How ridiculous is that! Of course I'm not mad
- I'm 100% normal, they're the mad ones. Especially Robin and
John. Well I mean to say, look at them, total nutters - a bald
walrus and some dood with plastic garden-centre chain holding
up his trousers. I rest my case!
So,
this Evil Twin thing... tell us everything about it. Don't make
me come up with a load of questions, just tell us the how/what/why/where/when/who
of the writing, recording and production processes etc., and
which tracks you think will get the crowd jiggin the most when
you play them live, which tracks you feel are most ripe for
radio airplay, which tracks your kids like best - everything
and anything.
Same as Bitter And Twisted really, hence it's called Evil Twin.
Doh! Released in the UK today incidentally (17th November 2008).
The US release is 24th February 2009.
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songs are all written by me and Mr McCoy. Same raw live rocking
approach productionwise and soundwise, all recorded in three-
or four-day sessions, followed by the endless mixing, then followed
by the night of the long knives in terms of choices of tracks
- we had far too many - and then followed by tears and tantrums
about the order of songs! But all to the good, we got the best
possible album out of it. We are all knocked out with it, we think
it rocks, we think it's a monster. And it makes a damn fine beermat
too!
We've already played a lot of the new songs live on our tourette
in July - Punko Rocco, Bullet In The Brain, You Can't Hold Me,
Wheel Of Fortune, and Perfumed Garden all got blasted most nights.
They work good. Can't wait to get out and do Evil Twin and Holy
Roller and maybe One Of These Days, and of course The Humours
Of Mr. McCoy. Let's hope we get booked for a 2 hour set! As for
airplay... what's that? Just doesn't happen.
One song which kicked its way out through the walls of the
recording studio and landed upright on a roaring Harley which
it revved and wheelied at full throttle round'n'round your website
to make sure everyone was wide awake in time for the November
17th, is Punko Rocco, featuring the mighty Dee Snider. So...
punk, rock, metal, party.... that pretty much sums up what you're
about. |
How close do you feel these days
to your early punk roots? And if the world is really being as
mismanaged as it seems, what with financial chaos, global warming
etc., is it time for another punk revolution? Or wouldn't it
work the second time round? (Did it actually work the first
time round?) No, thank gawd, punk was a complete waste
of time last time! But that was the whole point - it was great
fun, lots of gigs, lots of bands, lots of energy, and the NWOBHM
came out of it too! Well maybe it wasn't all that good really
then haha! But it was great, you can't beat smashing things
up. Really, its very constructive! Iconoclasm is a wonderful
thing - if only I could remember what iconoclasm actually means.
Wasting time is a good thing too, with no plan. Surprising
things - both good and bad - happen when there's no plan. Keep
the good and smash up the bad, lots of fun. I don't like plans,
they usually go wrong. And let's face it, it was a whole lot
better than going into the few places where live music still
lives and seeing some utterly sad bastids pretending to be other
people from twenty or thirty years ago, playing music you have
heard a million times before which was played better twenty
or thirty years ago to start with. Safety-blanket music, it
bores the arse off you. At least with punk you never knew what
you were going to get - lousy, funny, obscene or brilliant,
it was an entertaining waste of time, which to my mind is ideally
all life should ever be. |

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Nowadays we've got the same thing as we've had for ever and a
day, very safe, makes us all feel cosy and oh so dangerously rocknroll.
What more do you need, a tattoo and a tribute band, and you too
can be Keith Richards. NOT! Please people, let's have something
new! I'm bored, I'm the chairman of the fooking bored! I'm not
sure I answered that question...... what was the question? Was
there a question? Hmmm... are you sure
you're not a bassplayer?
How
did it come about that Dee sang on Runko Rocco - and why only
on one song? I'm
trying frantically to think why, and as usual have come up with
absolutely nothing other than my own inspirational genius. Yes,
that's it, it was because I ASKED HIM! "Hey Dee, did you
know how lucky you were when you met me, you never realised that
in twenty years time I'd be hassling you endlessly to sing on
some song that's popped through your letter box. Just do it and
I'll go away until the next one! And God love ye Mr Snider sir,
ye'll have yer reward in heaven, I'll say a little prayer for
ye!"
Why that song? Well I couldn't really see him wanting to do Jonny
fookin Sitar, not really his thing! He's a very busy guy, it couldn't
be anything that would take time, it was hugely kind of him to
do it and we all appreciate it enormously, Dee is a true legend
and a real friend. There was really no chance of him doing anything
else - he recorded what he did in the US, it's difficult doing
all that and keeping it organic, especially when there is no budget
at all, so it was just a one off special event. And he did it
just incredibly.
What
are the chances of you all collaborating again, on a complete
album in the future? We'd
love to do more with him, we'd love to do an album, but it's not
likely to happen. He has a huge amount of obligations, and he
has Twisted Sister of course. He's a great guy to work with and
I consider myself very lucky to have worked with him in the past,
if it had worked out then I'm sure we would still be working together.
Every day was a gas, but the world leads you the way it does,
and there's no return journey. Who knows, if it ever came up again
and made sense I'd jump at it, would love to do it.
Earlier
this year the GMT tour had the rug pulled out from under it when
the Rock & Blues Custom Show was cancelled just a few days
before the festival was due to start. How did you feel when you
were told that the gig was off, and how did it affect your plans
for world domination, oops, I mean for the rest of the shows?
Well, not much to say about the RBCS - it was on, it was off,
it was on, it was off, you do the hokey cokey and you turn around
and then it was still off. And then Nuneaton pulled a gig on us,
because it was the same people as the RBCS doing it. We did all
the others and had a lot of fun, but it was a bit anti-climactic
really in the circumstances, didn't do much for our visibility,
but we absolutely rocked and rolled and that's all that matters!
Someone also told me recently that the RBCS had not returned people's
ticket money. I don't know if that's true or not, but if that
is so it's really crap. We never got paid, I'm sure most bands
didn't. People should have got their money back, no question.
Do
you find the fragile nature of this business exhilarating or exasperating
or excruciating or exhausting - or what? Well it's
not a business really is it? It's just a bunch of clowns who should've
been pickpockets and a lot of people who like getting their assssses
kissed, and sometimes that combines in the same person. And yes,
I've always felt that getting my picket pocked was damn exhilarating
when it was the right picket pocker!
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Bernie at Hard
Rock Hell 2007 in Pete's favourite shirt! |
In
the interview
you did last year with the excellent Get Ready To Roll website,
you explained how you once sneaked into UFO's dressing room
and stole Pete's clothes. Have you ever stolen anyone else's
clothes? Any ambitions to steal more clothes? And I don't mean
from washing lines and stuff - I mean musos' clothes such as
Rob Halford's leather chaps, Rick Wakeman's wizard cape etc?
And a very excellent website Get Ready To Roll is too! But who
d'ya think I am then, Arnold sodding Layne? Yes I've heard all
about Rob Halford's chaps, leather and otherwise, but no, in
truth it has never crossed my mind to lay my hands on any chaps,
whether associated with Mr Halford or not. Unfortunately Mr.
Wakeman's cape is another kettle of pilchards entirely. I admit
I had-a-cape-just-like-ricks-but-i-swear-i-didnt-understand-what-i-was-doing.
There, I've finally said it! Ah the relief! I've carried that
guilty secret all my life! I'll probably never stutter again
now. Thanks Batttttty you've worked a m-m-m-m-m-m-m-miracle.
Oh bugger. There may even be pictures of me wearing it! But
it was my own cape, just modelled on Rick's... a moment of weakness,
a lifetime of fear and regret, and to be outed at this late
stage... I hope you feel happy with what you've done! Sorry
darlin - I HAD to clear up the red'n'white shirt issue, cos
when I first saw you wearing it I thought you might be Pete's
EVIL TWIN. Aaarrgghh!
I'm
not gonna ask about the Ian Gillan thing, cos that's a subject
of controversy which has been covered in lots of other interviews.
But here in SITN we enjoy a bit of controversy so we'd like
to ask your opinion of the way Jack
Bruce spoke out against Led Zeppelin at the recent Classic
Rock Awards bunfest. Ian Gillan? Yes, I have a vague
feeling I may have already touched on that subject before. Cream
vs Zep? I'd go for Cream every time, personally - I love them.
Jack Bruce is an honorary punk, as good as Johnny Rotten at
his finest! I think it's funny, and I'm sure Zep couldn't give
a crap either way, it's not as if it's going to damage their
bank accounts. I'm not really a huge Zep fan, though I do like
some tracks and Bonham particularly, and most especially the
wondrous sound that Jimmy Page captured. Some great production
and great songs too, but I'm not a huge fan of the band. I'm
probably not going to make myself popular by saying it but playing
wise I'm with Jack..... but I can't say I've liked much of Clapton's
stuff after Cream, especially the Gucci suits.
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Now that Mr. McCoy's been immortalised in his own song, how has
it changed his character? Is he unbearable to live with these
days? Does his head still fit through the door? I remember when
I had a song dedicated to Me, I was actually quite humble about
it - at least until I'd blown all the candles out on the cake,
anyway, hah. And does Mr.Guy keep whining'n'whimpering'n'wittering
to be immortalised in a song of his own? Unbearable?
John? Yes - but that's nothing new, he's been unbearable ever
since I've met him - about 50 stone of 100% unbearably miserable
bastid walking around in a tablecloth with a hole in it pretending
it's a poncho! Did you know his real name is Roger? Mr Roger McCoy.
Not many people know that. To be honest he was a bit unconvinced
about that track because of the fact it was about him, and he
has been ambivalent about it all the way, but Robin and I liked
it so it got used. It is funny and the guitar part is 99% irish
jig which we all liked.
Robin isn't bothered, he thinks every song is about him anyway.
MySpace,
Facebook, Bebo, Twitter, Blogger, Schmogger, Blahblahblah-i-have-no-real-friends-so-i-have-to-pretend-famous-people-and-even-dead-rockstars-are-my-friends-dot-com....
how into each of these are you, and why do you think there are
so many of the dammmmn things? Which one is best - i.e. the least
worst? My loathing of MySpace is legendary, as you'll see from
the profile blurb at www.myspace.com/batttttty
- but don't let that influence your answer. Hah. Thanks
for the add! And Paris Hilton IS my friend - really! I've stayed
there many times. And what do you have against the Nonbeatles
anyway? Typical journo spitting bile on a very nontalented band!
What about 'She Loves You No No No', you GOTTA like that! It was
Number None everywhere! Well... I do "do" MySpace, because
it replaces airplay. Really, it made a huge amount of difference
to Bitter And Twisted. So that counts against it for starters,
haha. It's a great tool for promotion. Me, I have enough friends,
I'm going out for a drink with the dustmites later. The other
social networking sites whose names I can't remember... well,
life's too short, I'd be in big danger of running out of insincerity.
But it's good for GMT! Thanks for the add!
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Now visit the GMT website
and...errr...
the GMT MySpace page. "Thanks for the add" indeed
Photos from
Hard Rock Hell © Trudi
Knight 2007
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©
Batttttty - 17th November 2008 |
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