|
You
Are Here - I Was There! |
|
LYON
and STRASBOURG
|
|
Here
is the critic of the concert that occurred March 3rd 2004 in Lyon. I'm
afraid it arrives a little late but my English is pretty poor and I
had to make it translated by friends.
Phil
was in great shape at vocal level, I really appreciate his voice in
Im A Loser. This song is probably my favorite of this
group, because it includes all what I love in UFO: acoustic intro where
Phils voice is fully expressed, then crescendo, devastating solo,
change of rhythm
just great! |
This review is from Franck Soullier who was also at LyonIndeed
I was there too but I was coming from Marseilles (300 kms below) and missed
a part of the show as hard to find this bloody Transbordeur.
|
Gregory's review of the Berlin gigHere's
my review of the Berlin show. 500 fans packed the club and they were in
for a real treat even though they probably did not realise it (except
for us readers of this site who knew the set- list of the previous shows).
They kicked off with Midnight Train followed by Mother Mary and first
surprise the long/partly instrumental version of Daylight Comes To Town
- Phil had to act as a First Aid to the front row fan who started to faint
and while he gently carried him off backstage the band played the instrumental
bit. A furious version of Let it Roll followed with its chorus sang along
by delighted crowd and we were about to hear Phil's voice at its finest
on the 2004 version of I'm A Loser. 'My Cock Is Warm' followed. which
according to Phil was an original title for This Kids, then off the new
cd The Wild One, and we were about to realise how a good song Fighting
Man was. Myself I have had to hear it live to really appreciate it . Only
You Can Rock Me gave us all a chance to sing along again. Biggest surprise
came right after - yes friends - BABY BLUE is in and Call Me is out of
the set. Vinnie shined on this brilliant version and again Phil's voice
was awesome.This track is many fans' favourite of You Are Here and I am
sure the band did the right choice putting it in. Jello Man was another
track which really sounds much better live than in its original version
- Jason Bohnam contributed thunderous drumming here. After that the real
party started with nearly each song dedicated to somebody (the crew,the
fans ) and they were Love To Love, Lights Out, Too Hot To Handle (again
sang along by the whole crowd) a rousing version of Rock Bottom followed
by (another "running order" change in the set) Shoot Shoot .
The very last came Doctor Doctor which made the crowd really wild and
it has to be said than normally rather laid back German crowd with many
fans from Poland and Slovakia among them who traveled to see the band
was as much a part of a show as the band was.Phil Mogg summed it up perfectly
- "It's Very Gracious Of You - Thanks For The Good Time"
|
|
Paris - a review from Chris Barron Just got back from an eventful trip to Paris and thought I would drop you a line with of the gig. Sorry there are no photos but I've yet to break into the digital age and didn't fancy lumping my 10 ton Nikon through the show. Anyway, here goes...
I won't bore you all with the set list, after all you all know it by heart at this stage and have probably burnt the tracks onto CD in order to get that 'being there' feeling. Yes?
We arrived at the venue mid way through what turned out to be Uli Jon Roth's set. I was confused as the only person on stage was a keyboardist doing 30 second snippets of you favorite rock and classical pieces. Very weird and, dare I say it, very working man's club, although the talent level was much higher, the guy could obviously play. Anyway normal service was resumed and Uli completed his set with a great version of Sails of Charon, All Along The Watchtower and a tribute to the dead of Madrid. It was nice to see him get such a great reaction from the crowd, a lot different to the polite, sporadic applause he received in the UK last time around.
With the lights up we had a better chance to check the venue out. It reminded me of a narrower version of Glasgow's Barrowlands. It was all standing with a gradual slope from the rear of the venue to the stage. To the rear was a bar, raised on a platform and offering a great view if you were one of the lucky ones up there. Oh and just a word of warning if you ever go there for another show, Paris and cheap beer don't go together.
Anyway, on to the show and some initial impressions of the new line up. Well as you would expect with it being the last night of the tour UFO were a well oiled machine. Everyone seemed very comfortable with their own role and with each other, this was very much a band. Naturally a lot of my attention was on Vinnie and Jason to see how they fitted into the system and I couldn't have been more impressed. Vinnie nailed all of the solos and, whilst being reverential to the originals, was able to impart something of himself into them. No, he isn't Schenker, but if he had been I would have been left with 2 tickets for a cancelled show. Face facts, Schenker and UFO can no longer operate together and both seem very content where they are now, so drop it guys. Jason was immense, Ive seen him a number of times with different bands and yet Im still always surprised at how loud he is. He has obviously picked up a bit of his fathers style so we were treated to numerous little fills that served to give even more life to some well worn classics. Jason also has a surprisingly good voice and was responsible for some great backing vocals.
On to the old guard now and Ive rarely seen them play with such obvious enjoyment, it was huge smiles all round. Phil was in fine voice and there were no obvious signs that he was reaching the end of the tour. Baby Blue stood out in particular where Phil used every ounce of passion in his voice, stunning. Ive never thought of Phil as one of the worlds greatest when it comes to interacting with the audience, he almost looks embarrassed at times, but he was on great form in Paris laughing and joking between almost every song. It was nice to see Paul back where he belongs and he looked very happy to be there. I dont know what it is about Paul but he is so much of the UFO sound and you really do lose something when he is not there, its good to have you back mate. Pete was well...Pete. How do you describe him, I guess you just have to be there. He did seem a little bit quieter on stage than the last few tours but I guess he had no policing to do this time and may have celebrated Villas win the night before a bit too much.
Like I said earlier I wont go through each individual track but Ill pick out a couple that really stood out. Daylight Goes to Town, close your eyes and it could have been DC up there, what an opening riff! To be honest Ive been a little bit down on You Are Here but listening to this live I was blown away, great new song and future classic. Shoot Shoot, great old song and definite classic. Im A Loser, wow! Cant say much more than that, perfection personified, more please. So all in all a great show lapped up by the 1000+ crowd.
After the show most of the band came out and signed stuff and posed happily for photos, no sign of Paul though before we trudged back to the hotel. Both Phil and Pete were particularly chatty, commenting on how much they had enjoyed the tour and playing with the new guys. Pete even had time to have a quick chat to my mate Rob in Harrogate via my mobile. Boy do these people get asked to do some strange things by their fans.
So there you go, a great nights entertainment from a great band. They all seem to be looking forward to the new tour as much as we are so get you tickets, hold on to your hats/hairpieces and enjoy the ride.
|